Tag Archives: iOS

1915: Brave New Frontier

I’ve been out of the mobile gaming, umm, game for a while now because my stint working for the now-apparently-defunct Inside Network opened my eyes to the revolting realities of mobile free-to-play games and how people in suits and sneakers genuinely thought that games where you tap on something every two hours and then have to spend money were somehow innovative.

I’ve made no secret of my general distaste for this business model, but having left it alone for a little while, I’ve felt more able to come back and look at some of these games with a slightly less jaded pair of eyes. I looked at one called Valkyrie Crusade over on MoeGamer a while back a year or so ago and was surprised to find myself having a reasonably good time — though at the time of writing, I haven’t touched it for a few months now.

More recently, someone I follow on Twitter had been posting some screenshots and enthusiastic noises about a game called Brave Frontier (iOS, Android), so I decided to download it and give it a shot. It has an appealing, colourful art style with a combination of pixel art sprites and super-deformed chibi-esque character art, and promised to have a little more in the way of “gameplay” than many similar titles, most of which revolve largely around collecting “cards” and then tapping a “Continue” button repeatedly until you run out of energy or patience.

Brave Frontier isn’t massively different from this formula, but the simple addition of a bit of interactivity to the formula immediately makes it a more interesting, enjoyable game that is ideal for dipping into for a few minutes at a time while you’re on the toilet or waiting for public transport.

Here’s how it works. You’re given an initial few units, one of which is reasonably good and the rest of which are a bit shit, but fill out the slots in your party reasonably. You can take these through “quests”, which are sequences of a few battles in a row, culminating in a boss fight. Battles are very simple: you tap on a party member to cause them to attack, and if you time your taps correctly so that multiple units hit at the same time, you cause a “Spark” which deals additional damage. Units also have elemental types that have a significant impact on both attack and defence power.

When all your units have attacked, you get to grab all the goodies that fell out of the enemies while you were clobbering them. These include the game’s various currencies, health points and Brave Burst points, the latter of which fills a gauge and allows a unit to perform its unique special move. Health points and Brave Burst points are assigned randomly so you can’t guarantee a particular unit will be able to perform their Brave Burst on command, but you can force an enemy to drop more of these shards by ordering your party to focus their attacks on a single enemy, cause an “Overkill” and obtain additional rewards. This, of course, leaves them open to attack from the remaining enemies.

You repeat this process through a series of battles, with your units not automatically healing or recharging between. You fight a boss — most of which so far haven’t been significantly tougher than the main enemies — and then you get rewards, which include materials and additional units.

Outside of quests, you can “fuse” units together to level them up — they don’t gain experience simply through battle like in a regular RPG. Fusing “metal” units of the same element as a unit provides a significant bonus to the XP they receive, and when you get a unit to its level cap (which varies according to the unit’s rarity) you can “evolve” it into a more powerful incarnation by using materials. You can also use materials to craft useful items and equipment for your units, and one of the game’s currencies to upgrade the village you call home base — this provides you with resources every so often, and also has a bunch of facilities you can unlock over time, providing you access to more and more items and equipment as you upgrade it.

The game makes use of the free-to-play model’s beloved “energy” system, which means you’re only allowed to play a certain amount before you either have to pay up or wait for it to restore. Now, I’m not a huge fan of this system, but so far in Brave Frontier it’s been fairly unobtrusive, with energy consumption pretty much matching up with the average length of a play session. In other words, by the time you’ve run out of energy, you’ll probably want to go and play or do something else anyway. Interestingly, there are a bunch of “dungeons” that you can take on that require significantly more energy to enter than normal quest battles; the rewards for these are significantly greater, however, as is the overall challenge level. This means that you can choose how you spend your energy rather than it being a “flat rate” — do you blow 50 points at once for the chance to get your hands on some rare, useful, powerful goodies, or do you make steady progress through the main story to unlock access to new areas and acquire “gems” which can be used to recruit the more powerful, more rare units?

I don’t know how long I’ll stick with the game, but it’s enjoyable enough at present, and the art style is lovely. If you happen to be playing, feel free to add me as a friend using ID 9630492642.

1473: Ruined

Oh, EA. Why. Why. Why. Why.

I am, of course, talking about the new iOS version of Bullfrog’s classic Dungeon Keeper, which was released today and is, of course, utter bobbins.

Why? Because it’s a free-to-play mobile game.

And yes, I think we’ve reached the stage where it pretty much is reasonable to brand free-to-play mobile games a universally bad thing, because the fucking awful ones far outnumber the very, very few good ones. In fact, I can’t think of any good free-to-play mobile games offhand, whereas on PC I can name plenty.

Dungeon Keeper does every offensive thing it’s possible for a shitty free-to-play mobile thing to do. It has wait timers, it has premium currency, it has the ability to purchase resources and other things rather than collecting them yourself (by, you know, playing the game) and worse than all the monetisation crap is the fact that they’ve taken a game that was originally an interesting, fun and original idea and made it into something utterly predictable and boring.

Dungeon Keeper is clearly aiming to ride the coat-tails of popular “midcore” strategy games such as Clash of Clans but this isn’t a particularly good thing, either; Clash of Clans is an unashamedly pay-to-win title whose “top players” ride high in the leaderboards for no other reason than the fact they have paid more money into the game. Thousands of dollars, in many cases.

This is the second time EA has trawled Bullfrog’s back catalogue to “re-imagine” them for iOS — the first being Theme Park — and it’s the second time it’s proven to be a complete insult to the memory of a great game. The people behind this monstrosity should be disgusted with themselves — as profitable as free-to-play games are and as much sense as they make from a business perspective, there’s no getting away from the fact that the games themselves are complete shit, being devoid of any real depth and compromising good game design in the name of being more exploitative .

Stop it, EA. The people you’re hoping to court with these games’ names are the people you’re pissing off the most.

1372: The Good Old Days of the App Store

I’d been pondering this a little recently, but I actually confirmed it for myself today: the games on the App Store of today are not a patch on those that were on it when it first went live.

Oh sure, they’re technically more impressive, with all manner of lovely “console-quality” (whatever the fuck that means) graphics and download sizes that will easily fill up a lesser phone, but there’s really something missing from modern App Store games that was there in spades in early titles.

The title that really drove it home for me was a game called Tilt to Live. This was a score-attack action game that some described as “the iPhone’s Geometry Wars“. It’s not quite an accurate comparison, since Geometry Wars is a twin-stick shooter and Tilt to Live doesn’t involve any shooting whatsoever, but they share a couple of important similarities: they’re easy to understand and super-addictive.

Tilt to Live, lest you’ve never had the pleasure, sees you controlling a small arrowhead-shaped… thing as it attempts to fend off the unwanted attentions of its red dot rivals. In order to destroy red dots, you have to pick up powerups, each of which has a specific effect. Nukes explode at the spot where you picked them up, for example, taking anything caught in the circular Missile Command-style explosion with them, while lasers take a moment to charge before firing a broad beam in the direction you’re travelling. As you progress through the game, you unlock more and more different weapons which are then available from the outset in subsequent playthroughs; the more weapons you have, the easier it is to maintain a combo of dot-killing without stopping, and consequently attain higher scores.

Tilt to Live is so genius because it’s built for its platform. It uses nothing more than the iPhone’s built-in accelerometer, tuned to perfection, and all you have to do is tilt your device around like one of those old “Labyrinth” games. Nothing more than that. There are a couple of other modes, but in essence, all you’re doing in each of them is tilting to move your arrow and attempting to avoid red dots. Simple. Addictive. The perfect mobile game.

Tilt to Live was far from the only game from the App Store’s early years I have fond memories of, though. The early stuff from ngmoco was fantastic, for example — titles like Dr. Awesome (essentially tilt-controlled Qix), Dropship (Defender meets Thrust meets Geometry Wars) and Rolando were all top-notch games that were pretty much essential purchases in the early days of the App Store — everyone who had an iPhone downloaded them, and Apple even featured them in advertising for both the iPhone and iPod touch, the latter of which it looked for a while like Apple was attempting to position as a serious handheld gaming device.

So what happened? Why have I largely lost interest in what the App Store has to offer today? Well, this is probably a gross oversimplification of the matter, but essentially I believe things started to go downhill with the addition of in-app purchases to the App Store.

I remember being skeptical about the supposed benefits of in-app purchases when the upcoming new feature was first announced — it sounded awfully like what triple-A publishers were doing with downloadable content for console games, and that was something that a number of teams had proven could be done very, very wrong. Oddly, initially only paid apps could have in-app purchases, meaning that free apps were always just that — free, though sometimes ad-supported.

Nowadays, of course, the words “free” on an app more often than not mean that you can download the app in question for free, but are often then expected to cough up extra, particularly in the case of games. In-app purchases have gotten so out of control on iOS that it’s rarer not to see a game have a “Get More Gold” button allowing you to purchase in-game currency. And, of course, the moment you see that “Get More Gold” button, you have to start questioning whether the game has been deliberately made more grindy and inconvenient — experts call this “adding friction” or “fun pain” — in the name of squeezing a few extra pennies out of you.

Herein lies the issue, I think: modern App Store games are designed to be money-making machines that trick people into thinking they’re having fun, then encourage them to open their wallets to have even more fun. It’s all a ruse, of course; the “fun” is more often than not an illusion created through carefully-paced rewards and ego-massaging, and the “pain” is created by suddenly denying the player access to these rewards that they’ve come to accept. It’s good business design, but bad game design.

Compare and contrast with a game from the App Store’s earlier era such as Tilt to Live, or ngmoco’s early games. These are games designed for pure fun — and more to the point, they’re highly creative, interesting, distinctive games. Not one of them is a predictable “tap on everything, then wait until you get a push notification to tap on everything again in three hours” title; while some are inspired by classic retro games (or even more recent games such as Loco Roco in the case of Rolando), they each put their own twist on things, respecting the player’s time and wallet in the process — in other words, once you bought these games, they wouldn’t ask you for money again, except in some rare instances such as in Tilt to Live where the developers later added a whole new game mode and sold it rather than bundling it in as a free update.

One of the saddest sights in the App Store is, I think, the massive decline in quality that ngmoco’s titles have taken since those early days. Games like the aforementioned Dr. Awesome and Rolando were genuinely excellent games that helped to define the platform; now, however, all ngmoco does is churn out some of the most tedious, derivative, copycat titles in the entire industry, all in the name of exploiting the social gaming bubble. RIP ngmoco; I thought you were going to be the next big thing in creative indie games at one point, but it was not to be.

True creativity and distinctiveness in the App Store isn’t dead; but with well over a million apps and games on the App Store now, and the charts dominated by free-to-play titles that have effectively bought their rankings rather than earned them, it’s getting harder and harder to find them. How sad.

1336: Where’s My Paid-For Version?

Disney released a sequel to its popular iOS game Where’s My Water? recently. Where’s My Water?, if you’re unfamiliar, is supposedly one of the best iOS games out there, and even managed to pick up an Apple Design Award at WWDC in 2012. It’s an extremely popular game that was well received by both press and public alike, and spawned a couple of spin-off games prior to the recently released official sequel.

The official sequel is, inevitably, free-to-play, unlike the 69p original. Said original did have in-app purchases, yes, but they were mostly actual additional content — new levels and so on — plus, until recently, the game was continuously supported with weekly challenges that kept the game relevant over time. (The removal of these weekly challenges in the most recent update has annoyed a bunch of players, incidentally, but surely they can’t expect Disney to continually support a game from 2011 forever.)

Where’s My Water 2 has, unsurprisingly, been torn a new one by App Store reviewers for being free-to-play — and with good reason. Like Plants vs. Zombies 2, there is not one single convincing reason why making it free-to-play is a good thing for anyone except Disney. At least you can play Plants vs. Zombies 2 for as long as you like, however; Where’s My Water 2 adds the ultimate insult of incorporating an energy mechanic into the game, effectively blocking people from continuing to play every few levels unless they pay up.

hate energy systems. They were a fucking pain in the arse when I had to review mobile and social games because they meant I could only play the game for a certain amount of time before having to leave it for several hours (because I sure as fuck wasn’t paying), and they’re a fucking pain in the arse if I just want to enjoy a mobile game these days. They’re a slap in the face to the player, and effectively a sign that the developer/publisher of the game don’t trust their player base to actually slip them some money if they’re enjoying themselves. It represents the absolute worst of everything about free-to-play, and it needs to stop.

I’m glad that App Store reviewers are starting to speak up against things like energy systems and excessive in-app purchases, because it’s getting out of control. I find myself actually wanting Where’s My Water 2 to fail, because it will teach Disney a lesson. This may sound harsh — I haven’t played Where’s My Water 2, so for all I know it could be a great game, and I’m sure the dev team worked hard on it — but this continuing trend of games that hold their content hostage needs to stop. Rather than it being an incentive to download and try something for myself, I will now actively avoid games on the App Store that are “free”. And since most of the games on the App Store are now “free”, this means I’m simply avoiding most of the stuff on the App Store, which is probably doing a great disservice to the few people out there who are doing great work, and who are treating their players with respect.

You want to see how to do free-to-play right? Go play Card Hunter.

1333: Passé

Considering how exciting the iPhone was when it first launched, I’m surprised how unmoved I am by the prospect of the new ones. At present, my 4S is still working just fine, and for the first time in many years of phone upgrades, I’m feeling no particular desire to have the latest and greatest piece of technology in my pocket.

I think part of the reason is what I’ve already said: my 4S is working fine, still — though it remains to be seen whether iOS 7 will kill its performance — and thus I certainly don’t need a new phone. The other part is the fact that smartphone upgrades each year have become so incremental that it’s just not particularly exciting any more — the new iPhone looks much like the old iPhone, and will probably work much like the old iPhone, except perhaps a bit faster, depending on what it is you’re doing.

One reason to upgrade to the latest and greatest iPhone, iPad, whatever would be if you’re a big game player on these devices. And I’ve come to the conclusion recently that I’m just not.

This may surprise you, given the amount of waffling on about games that I do on this here blog, but it’s true: I haven’t played an iOS game for probably months now, and every time I look at the App Store, I have very little desire to even try a lot of the stuff that churns its way through the front page and into the abyss beyond, never to be seen again.

There’s the odd exception; I still have something of a soft spot for the various excellent iOS versions of board and card games, but in most cases I’d rather play the real thing. For the most part, though, iOS gaming carries little to no interest for me; it’s not for me any more. It is, instead, for children, or people who aren’t particularly “game-literate”, or people who don’t mind increasingly obtrusive business models. There’s relatively little with any “meat”, though; nothing you can get stuck into for hours at a time, and in fact an awful lot of games are specifically designed to stop you from playing after a short while by causing you to run out of “energy” or “fuel”, or for your car to require “repairing” — and, of course, you can instantly get back into the game if you’d just hand over your credit card details… No, thank you.

I’m probably painting a somewhat unfair picture of the iOS landscape there, since I know there’s a lot of talented developers working on the platform — some out of necessity, some out of choice — but I’m sort of over the idea of mobile gaming, for now at least. There are too many exciting things going on on other platforms — including dedicated gaming handhelds — for me to muster up any enthusiasm for a platform prone to making really, really stupid collective decisions when it comes to the way games should be made.

Perhaps I’ll revisit mobile gaming if it ever emerges from the free-to-play rut it’s currently stuck in, but I’m not holding my breath for that to happen any time soon.

1298: Far from the Valley

Jeez. I am so glad I’m not reviewing mobile and social apps any more.

I know I’ve said this numerous times before, but I feel like every day I come across something even more offensively vapid and pointless that makes me want to punch everyone involved in the face for thinking it could possibly have ever been a good idea.

Today, I came across an app called “Kahnoodle.” Here it is.

Kahnoodle is a “relationship app” that, according to The Atlantic, “wants to make maintaining your relationship automatic and easy — as easy as tapping a button. Its options include sending push notifications to initiate sex; ‘Koupons’ that entitle the bearer to redeemable movie nights and kinky sex; and, of course, the love tank, which fills or empties depending on how many acts of love you’ve logged.”

Oh dear. Oh dear oh dear oh dear.

Kahnoodle isn’t the only app of this type, I might add. As the Atlantic piece linked above notes, “couples’ apps” have been around for a while now, and represent some of the most pointless implementations of social media I’ve ever seen: they’re social networks designed for just two people. I reviewed one a while back called either Couple or Pair (I forget which one it was, because they changed the name from one to the other, which made all the App Store reviewers of it disproportionately angry at the developers) with Andie, and we both agreed within a matter of seconds that it was an utter waste of time.

The reason that apps like Couple/Pair and Kahnoodle are utterly pointless, of course, are because there are infinitely better ways to do the same thing already available that don’t require their own dedicated app. You can privately message people via Facebook, Google, AIM, Skype, email, text message, What’sApp, Kik… hundreds of other potential apps, from which you can talk to, you know, other people as well as your partner.

Kahnoodle’s selling point is that it “gamifies” your relationship, and as we all know from listening to Silicon Valley startup tosspieces, “gamification” increases “engagement” and “brand awareness” or whatever bullshit they’re talking about this week. Because these apps, despite appearances, aren’t really about bringing people together and helping them communicate at all; they’re about building up a captive audience who can then be either advertised at or monetised straight up the bumhole — sometimes both, in some sort of hideous business double-penetration scenario.

I apologise for that mental image. But if you need to “gamify” your relationship in order to remember to have sex or whatever, then perhaps you should sit down and have a very serious talk with your partner, because I would suggest that’s a sign that Things Aren’t Going All That Well. A real-life relationship is not like The Sims, where you can get yourself out of the doghouse by grinding the Chat, Compliment and Joke options until the meter climbs out of the red.

Sigh. Anyway.

One of the big reasons the App Store, Google Play and its ilk are such frustrating places to browse these days are because there are so many of these ridiculous apps available that provide nothing of any particular worth to society. The few useful apps that are available for phones inevitably get buried under this torrent of digital sewage, leaving those who are making good things consistently frustrated at the fact their stuff can never get noticed. It’s not just in mobile games this is happening — it’s in all types of apps. I’ve pretty much given up looking at the App Store now — I use my phone for basic communication through Twitter, Facebook, email and the like, and only download something from the App Store if I know precisely and specifically what I’m looking for.

So good job, shovelware merchants; you’ve pretty much destroyed the concept of “discoverability” with your relentless pursuit of the crap. I hope you’re pleased with yourselves.

1179: Open for Browsing

A few days ago, the app AppGratis was pulled from the App Store for specific reasons unknown, but many conjectured it was due to the service that the company provided for developers — specifically in promotion of their apps. AppGratis, it was claimed, was gaming the system and manipulating the charts of the App Store so that they didn’t really accurately reflect reality. I don’t know whether or not that’s actually true, but it’s plausible given the shadiness of some parts of the mobile sector.

What I do know, however, is that the App Store charts are useless anyway, largely due to the huge amounts of miscategorisation (is that a word? It is now) going on, making it absolutely impossible to browse and find something you’re looking for.

But is it really that bad? I decided to do a little experiment to see how accurate the descriptors in the Games category — the only App Store category to have subdivisions — actually are. Let’s take a look at the Top 10 in a selection of these categories and see if the games therein actually belong in those groupings, shall we? Wait, where are you going…?

Huh. Sod those guys, we didn’t like them anyway, right? Here we go, then.

Adventure Games (Paid)

Wikipedia’s definition of adventure games:

An adventure game is a video game in which the player assumes the role of protagonist in an interactive story driven by exploration and puzzle-solving instead of physical (e.g. reflexes) challenge.[1] The genre‘s focus on story allows it to draw heavily from other narrative-based media such as literature and film, encompassing a wide variety of literary genres. Nearly all adventure games (text and graphic) are designed for a single player, since this emphasis on story and character makes multi-player design difficult.[2]

  1. Temple Run Oz — not an adventure game, it’s an action/arcade game
  2. Minecraft — not an adventure game, it’s a… Minecraft
  3. Badland — not an adventure game, it’s a platform game
  4. Doodle Jump — not an adventure game, it’s a platform/arcade game
  5. Grand Theft Auto: Vice City — not an adventure game, it’s an action game
  6. Temple Run Brave — see No. 1
  7. Dead Crossing — not an adventure game, it’s a shooter/driving game
  8. Eden — not an adventure game, it’s a Minecraft-alike
  9. Clear Vision — not an adventure game, it’s a sniper-centric shooting game
  10. Blue Toad Murder Files — HOLY SHIT AN ADVENTURE GAME

One out of ten is correctly categorised. So that’s not all that good, really, is it? Let’s look at the free adventure games.

Adventure Games (Free)

  1. Gangster Granny — shooter
  2. Temple Run 2 — See No. 1 in the Paid category
  3. The Simpsons: Tapped Out — citybuilder
  4. The Sims: FreePlay — It’s The Sims, but more boring
  5. The Croods — citybuilder/farming game
  6. Frontline Commando: D-Day — shooter
  7. Minecraft Lite — Minecraft
  8. Jail Break Now — vaguely adventure-ish
  9. Tap Paradise Cove — citybuilder/farming
  10. Nimble Quest — Snake with a twist

Nope. Nope. Nope. One out of ten, and that might not even count as it’s more of a stealth game. Let’s look at a favourite genre: role-playing games.

Role-Playing Games (Paid)

Wikipedia again:

role-playing game (RPG and sometimes roleplaying game[1][2]) is a game in which players assume the roles of characters in a fictional setting. Players take responsibility for acting out these roles within a narrative, either through literal acting or through a process of structured decision-making or character development.[3] Actions taken within many games succeed or fail according to a formal system of rules and guidelines.[4]

  1. Slayin — arcade game with RPG elements
  3. Mighty Dungeons — old-school dungeon-crawler. It counts.
  4. Skylanders Battlegrounds — Sort of RPG-ish, but more action game than anything
  5. Dentist Surgery Game — NO. Not even a little bit.
  6. Minecraft Explorer Pro — Not even a game; this should be in the Reference section.
  7. World Explorer – Made for Minecraft — Crap Minecraft clone. Not an RPG.
  8. Monster Wars — Strategy game
  9. Surviving High School — Visual novel/adventure game, not RPG
  10. Minecraft Papercraft Studio — Not a game at all

Hmm. Slightly better. Still not great. And the presence of Gemini Rue in there just feels like the App Store is mocking me for writing this. Let’s look at the freebies.

Role-Playing Games (Free)

  1. Beauty Dentist — NO. (Also what the fuck is up with all the dentist games?)
  2. Tekken Card Tournament — Vaguely RPG-ish, but no. It’s a card game. There is a card game section.
  3. Mighty Monsters — Pokémon ripoff. Crap, but could accurately be described as an RPG.
  4. Come on, Zombie! — More of an RTS than an action RPG, but I’ll allow it.
  5. Campus Life — Poor-quality The Sims knockoff.
  6. Campus Crush — Visual novel/dating sim, not RPG
  7. Dungeon Hunter 4 — Yes!
  8. My Beauty Spa — No!
  9. Epoch — shooter
  10. Crime City — Citybuilder wanting to be edgy, actually just crap. Not RPG.

Oh dear. (And seriously, people, why all the virtual dentistry?)

What about board games? I like board games, and there are some good adaptations on the App Store, I know that for a fact. So what do the charts look like?

Board Games (Paid)

  1. Monopoly — Yep
  2. Scrabble — Yep
  3. Words With Friends — Yep
  4. Monopoly Here & Now: The World Edition — Yep
  5. Trivial Pursuit — Yep
  6. The Game of Life — Yep
  7. MahJong — Please learn the difference between “Mahjong” and “Mahjong Solitaire”, but yep
  8. Pentix: warning! this developer likes to put stupidly long titles in things in the hopes of making their game look better! — Nope
  9. Doodle God — Nope
  10. Risk — Yep

Much better. Not perfect, but better. Shame all the top-selling ones are crap board games, though. Seriously, people, two different varieties of Monopoly? I don’t mean to sound like a board game snob (actually, I do) but there are far better games out there. But at least it’s actually in the right fucking category.

Board Games (Free)

  1. 6 Numbers — Countdown ripoff. More of a puzzle game.
  2. Lazors — Again, more of a puzzle game, but there is a board game a bit like this.
  3. Bingo — Nope. To the Casino section with you! Away, filth!
  4. Four In A Row 2013 — (Spoiler: it’s the same as Four in a Row has always been) Yep
  5. Words With Friends Free — Yep
  6. Monopoly Hotels — NOPE. This is a shitty Monopoly-themed building game, not a board game. Sadly, there isn’t a “shitty building game” category, but it would better belong elsewhere.
  7. Sudoku — Puzzle, not board game.
  8. Ruzzle — Yet another Boggle ripoff, but yep
  9. Chess Free — Yes!
  10. Friendle — Live Board Games with Friends and Family — The clue’s in the name!

Again, better. But again, crap that has nothing to do with board games (except the name in Monopoly Hotels’ case) is in the board games category.

So the situation varies a bit from category to category. But it should hopefully be clear from that that there are some significant problems there. Imagine you really want to play an adventure game on your iPhone or iPad — something like the excellent Gemini Rue or Broken Sword. Browse through the adventure game category and you may well have trouble finding things that are actually adventure games. That’s a problem.

Sadly, without a complete wipe of the App Store’s catalogue and recategorisation of everything, I think we’re too late to really do anything about this. Developers deliberately submit their titles to the wrong categories to get greater visibility, and this effect spreads as more and more people do it — and in the meantime, Apple don’t appear to care all that much when things are incorrectly categorised. The whole situations is a big ol’ mess, and I’m not surprised independent developers working on genuinely great games are enormously frustrated that it’s impossible to get their stuff seen amid all the other shite.